Comprehensive, authoritative, highly readable and generously illustrated, Herbert Read's text has been rightly acknowledged as "by far the best introduction to the subject" (Alan Bowness) and "throughout, lively and closely packed" (Hugh Casson). Here is modern painting from its roots in the work of Cezanne, through Cubism, Futurism, Surrealism and Dada in the early decades of ...(展开全部)

Comprehensive, authoritative, highly readable and generously illustrated, Herbert Read's text has been rightly acknowledged as "by far the best introduction to the subject" (Alan Bowness) and "throughout, lively and closely packed" (Hugh Casson). Here is modern painting from its roots in the work of Cezanne, through Cubism, Futurism, Surrealism and Dada in the early decades of ...(展开全部)

李安宅(1900-1985年)，河北省迁安县人。字仁斋,笔名任责。著名社会学、人类学、民族学家。曾任四川省政协委员,中国社会学研究会顾问、中国民族学会顾问、中国民俗学研究会顾问等。1926年燕京大学社会学系毕业,后赴美国深造。1938年赴甘肃拉卜楞寺对藏传佛教进行实地调查,后任教于成都华西大学。1947年到1949年在美英从事研究工作。1950年进藏任教。1963年任教于四川师范学院。1985年逝世。一生专治民族学、宗教学、社会学、藏学的研究,颇有成绩。宗教方面的专著有《藏族宗教史之实地研究》、《拉卜楞――李安宅的调查报告》、《宗教与边疆建设》等。

李安宅(1900-1985年)，河北省迁安县人。字仁斋,笔名任责。著名社会学、人类学、民族学家。曾任四川省政协委员,中国社会学研究会顾问、中国民族学会顾问、中国民俗学研究会顾问等。1926年燕京大学社会学系毕业,后赴美国深造。1938年赴甘肃拉卜楞寺对藏传佛教进行实地调查,后任教于成都华西大学。1947年到1949年在美英从事研究工作。1950年进藏任教。1963年任教于四川师范学院。1985年逝世。一生专治民族学、宗教学、社会学、藏学的研究,颇有成绩。宗教方面的专著有《藏族宗教史之实地研究》、《拉卜楞――李安宅的调查报告》、《宗教与边疆建设》等。

赫伯特•里德爵士生于1893年，第一次世界大战爆发时，他正好任职于利兹大学。之后，他在法国和比利时任步兵军官，并且荣获特殊功劳勋章以及军功十字勋章。他于1931年成为爱丁堡大学的美术史教授。他于1929－1930年期间成为剑桥大学三一学院的克拉克讲座教授；1935－1936年成为利物浦大学的西德尼•琼斯艺术讲座教授；并且于1953－1954年成为哈佛大学诺顿美术教授。他出版的著作包括：《现代绘画简史》、《艺术与异化》、《艺术中形式的起源》、《阿尔普和亨利•摩尔》等。 洪潇亭，毕业于中国美术学院美术史与美术理论专业，博士在读。自2004年起留校任教至今，教授艺术概论、外国美术史、展示文化研究等课程。2012—2014年间多次担任国际论坛、讲座专场翻译。

Placed at the heart of Italy, Florence was already in the Middle Ages a center of commerce and fine craftsmanship. Spurred on by a few powerful dynasties of merchants and financiers—above all the Medici, but also the Strozzi, the Pitti, and others—the city became the leading force in the Renaissance of the arts, literature, and science. Challenging the primacy of the Venetian R...(展开全部)

The Handbook of Tibetan Buddhist Symbols is a portal into the rich, multifaceted, and profound symbolism of Tibetan sacred art. Robert Beer provides a deep and encompassing insight into the vast array of symbols and attributes that appear within the complex iconography of Tibetan Buddhism. The succinct descriptions that accompany his detailed line drawings reveal the origins, m...(展开全部)

The Handbook of Tibetan Buddhist Symbols is a portal into the rich, multifaceted, and profound symbolism of Tibetan sacred art. Robert Beer provides a deep and encompassing insight into the vast array of symbols and attributes that appear within the complex iconography of Tibetan Buddhism. The succinct descriptions that accompany his detailed line drawings reveal the origins, m...(展开全部)

Garland of Visions explores the generative relationships between artistic intelligence and tantric vision practices in the construction and circulation of visual knowledge in medieval South Asia. Shifting away from the traditional connoisseur approach, Jinah Kim instead focuses on the materiality of painting: its mediums, its visions, and especially its colors. She argues that ...(展开全部)